Tuesday, April 27, 2010

The Bayou this week


Thursday Apr 29th we are performing at the Bayou downtown, we performed there on Fox 13 live for "Fat Tuesday" and are excited to play there again.

Music starts at 9pm and goes until last call. The Bayou boasts great food late into the night. 21+

Hayley Kirkland will be performing with me, along with Bart Olson on drums. Check out Hayley and I performing live here:

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Saturday, March 20, 2010

Standing while working


For the past three weeks, have tried an experiment: to stand up 100% of the time I am working, be it playing music, composing, or working on the computer in any way.

I elevated to standing-height my music keyboard, laptop, and desktop computer using my alto sax case, a cooler, a shelf, and an Ikea laptop table.

I got the idea reading this new york times article about the health benefits of standing up while working, and wanted to try it. That was three weeks ago.

The first week, I have to admit it was a challenge. My feet and joints hurt, especially my hip joint. My feet were not used to it and I had sore feet. But despite the pain and discomfort I felt better than while sitting for extended periods of time. While sitting, I had poor posture, so my back would often hurt after working for too long. No matter how many times I would try to sit up and correct my posture, soon I would slouched back into the chair and didn't think about it again until it started to hurt.

The second week, all the joint discomfort went away. I still felt tired after standing for extended periods of time, but noticed a huge difference in my overall feeling of health, and my legs began to feel rock solid. My back didn't have any discomfort, while standing I have great posture and often move around.

Now in week three, at the end of a long day at the computer I now feel like I just went for a walk, rather than a useless blob with an aching back. When I take the kids for a walk to the playground, rather than feeling sluggish and lazy about it I run and jump around with them, due to a boost in my leg strength and stamina.

I would seriously recommend that anyone who has to be at a computer for extended periods of time try the same experiment: be it writing novels, composing music, customer service, or working in an office; the health benefits are immediately felt.

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Friday, February 19, 2010

Break Science: a new hybrid of great music

This group continues to blow my mind. Live drummer (none other than the incredible Adam Deitch) plus super talented dj/keyboardist Borahm Lee = http://www.myspace.com/breaksciencemusic

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Tuesday, February 16, 2010

Big Budah, the Bayou, and my band on Fox 13 today at 5pm

If you missed this morning's segment on Fox 13 for Fat Tuesday with Big Budah at the Bayou, you can still catch our live performance on Fox's 5:00 evening news. We had a great time and hope to be back in the Bayou soon!

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Friday, February 12, 2010

Performances Friday Feb 19th and 26th at Salsa Leedos Mexican Grill

I'll be playing at Salsa Leedos on Friday Feb 19th and the next Friday Feb 26th from 6-9PM. Salsa Leedos has great food and atmosphere, I love playing there, this will be my third performance there. I have played there for private parties in the past, this time I'll be out in the open in the middle of the restaurant.
Looking forward to their amazing food! Here's their website: http://salsaleedos.net/

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Thursday, February 11, 2010

Appearance Tuesday on Fox 13 Morning Show


Big Budah from local station Fox 13 called me and asked me to be on his Mardi Gras-themed show for Fat Tuesday. It'll be taking place in the morning at 6:15, 7:23, and 8:08 AM this coming Tuesday Feb 16th. Should be fun, he says there will be Mardi Gras dancers, cajun food, and more, filming will take place at the Bayou downtown.

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21st and Ivy article/spotlight . . .

Saturday, January 30, 2010

A way to tell if you're doing well during a show LOL

Making minor repairs to your saxophone: it can save you a bundle!


Over the years I have spent many dollars getting my saxophone fixed or tuned up.

When I played in the Kahuku High School Marching Band in Hawaii, with lots of rain, humidity, and sun, it really took a toll on my sax. Saxophone pads are made of leather, and expand and contract with changes in humidity, and on top of this the sax player breathes and blows into the sax with super-humidified air which collects all over the pads. Then after moving back to Utah, one of the driest places I've ever been, the pads really took a beating.

Once I took my sax into a local shop after a month long tour with a reggae group all over the states. I anticipated perhaps paying a hundred dollars or so to have it looked over and minor repairs done. The repair shop (which I will not name) called me back later and told me it'd be $300. I was reluctantly OK with this because I was experiencing some difficulties playing low notes and overall the sax seemed harder to play than before; I had to push extra hard to get the notes out. When I went back to the repair shop, I had a bill waiting for me of almost $600. After that I decided I really needed to learn how to fix my own sax. I could have bought a low end saxophone for that price!

Here are some tips I have learned over the years:

If a pad falls of or becomes loose on a gig, this can really mess you up. It usually happens when you're setting up for the gig, you find a pad fell off due to temperature change since you last played the sax. A quick fix can be made using a common cigarette lighter. The pads are held on these days by glue much like hot-glue-gun glue, so if you carefully heat the back side of the pad (the metal backing which holds the pad in place) you can re-heat the glue temporarily to get it back in place. Be careful not to burn the leather of the pad, or the felt on your buttons. This is only an emergency fix solution, which can leave black streaks on your horn if you are not careful.
One of the coolest tips I've learned over the years uses Old English Wood Oil, some rubber bands, and an old paintbrush. A local sax technician taught me this; a way to refurbish and seal your pads overnight.
The idea is that over time your pads get worn, dried out, and suffer minor adjustments which can cause leaks. A "leak" in your saxophone, i.e. an area where the pad doesn't perfectly seal when you press down the key, can cause the problems I described when I returned from the reggae tour. This trick fixes most minor leaks, protects your pads against damage, and generally improves how your sax will perform.
You take a small amount of lemon oil into the paintbrush, and spread it evenly over each of your pads on your saxophone. Use enough to coat each pad, it won't hurt your pads or other parts of your saxophone. As you do this your pads will soak up the oil and become dark.
One you have coated each pad, take rubber bands (also pipe cleaners can be useful) to firmly close each pad and seal it off. I wrap the rubber band around the pad/key and the body of the instrument, tying or hooking it in such a way that it seals off the pads and keeps pressure evenly on each one. Be careful as you do this not to bump or damage the complex series of corks and felts surrounding your keys.
Once you have sealed off all of the pads on your horn, put the sax in your case and leave it overnight, with the pads treated and pressure from the rubber bands keeping them sealed.
The next day, your sax will perform like it has just been through a tune-up at the shop.

For my final tip, you will need to go to the pharmacy. A common problem and constant battle each sax player faces is the littlest yet most important part of your saxophone: the bamboo reed.
At your local pharmacy or grocery store, ask for "lanolin". Women use this while breastfeeding to sooth the parts the baby chews on (babies are rough!). It's sheep oil. If you coat your reed with this, it works like magic to preserve and lengthen the life, of your reeds. Take a small amount of the lanolin on your finger (it is of the consistency of Vaseline) and rub it into your reed. You'll be amazed at the difference!

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Wednesday, December 30, 2009

Writeup about our performance in the Tribune

I contacted the David Burger, the Trib's Entertainment Reporter, and he made a writeup about our gig tomorrow: http://blogs.sltrib.com/burger/index.php?p=8355&more=1&c=1&tb=1&pb=1

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Tuesday, December 29, 2009

NYE jazz 8pm-12 midnight

Friday, December 18, 2009

Performance at Zanzibar next week

Wednesday, December 16, 2009

Downtempo/Electronica music

I've been doing some gigs with djs, and by myself, and now I'm going to try out performing my downtempo/electronica compositions with a live drummer. Listen to what it sounds like:


http://robbennion.com/mp3s/downtempo/painfuldemo.mp3
http://robbennion.com/mp3s/downtempo/aganjudemo.mp3
http://robbennion.com/mp3s/downtempo/sneakydemo.mp3
http://robbennion.com/mp3s/downtempo/simplesmentedemo.mp3
http://robbennion.com/mp3s/downtempo/lamentodemo.mp3
http://robbennion.com/mp3s/downtempo/sadnessdemo.mp3

I really enjoy playing different musical styles. Over the years I have performed in reggae, hip-hop, blues, ska, rock, pop, latin, brazilian, concert, and of course jazz bands. The downtempo/electronic music is a very fun and different musical style, yet very accessible for audiences.

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Wednesday, December 2, 2009

DJ + SAX + FLUTE = GREAT MUSIC

A few weeks ago I performed a set with a dj down at the Hotel/club elevate for a VIP red-carpet party on a Saturday night. It was a lot of fun and people were very receptive to the sax and flute mixed with downtempo, electronica, and trip-hop.
Since then I've been composing some downtempo songs of my own, and have aquired equipment to be able to dj while performing on the sax and flute. It's a lot of fun for me and a way to create an accessible style of music while maintaining the improvisational quality of a live musician.
Adding a live drummer, the energy goes up even more. I run the "turntables" (digital turntables that is) while performing on the flute or sax with my effects pedals including delays, harmonization, octave dropper, etc; while the drummer keeps the beat going.
Jazz music as a genre has always been about innovation and incorporating new elements. If anyone has heard any of the Verve Remixes, that is the type of sound we are going for. The mix of the organic acoustic instruments (sax, flute, live drums) with the elecronic and pre-recorded sounds sets a very cool ambiance.

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Saturday, November 21, 2009

Fashion show performance tonight in NYC


Brought to you by SMB

Featuring Michi Designer Knitwear and Pottery by Ron Brown & the smooth Jazz Sounds of Rob Bennion
For one night only ! Fashion & Art join under one roof along with Jazz and Comedy!
When Fashion and Art Meet..... a fire ignites!!

An Evening of Fashion and Art!

This amazing evening was a mere fantasy in the mind of it's creator Diana Barnes, Owner of Suede Management Booking & Management (SMB). Diana is currently an Instructor at adult vocation school, and an accountant outside of her Booking & Management business.

Hosted by Comedian "Shorty", Music by International touring saxophonist and composer. Rob Bennion and Featuring an amazing Showcase by Michi Designer Knitwear and Pottery by Ron Brown.


**Just added**... the AMAZING Sound of Saxaphonist, Rob Bennion!!



Rob spent his first few years living on a farm in rural Utah. According to Bennion's mother, Rob was singing to himself long before he learned how to speak.
After the family moved to Houston, Rob picked up the saxophone, which became Bennion’s musical passion and pursuit.

Bennion furthered his education at Brigham Young University, playing in various groups from the big bands to small combos. He Studied privately with saxophone legend Ray Smith and played in percussion guru Jay Lawrence’s salsa combo, as well as renowned composer Christian Asplund’s experimental groups, the clarinet choir, saxophone quartet, Celtic, ragtime and jazz combos. During school Bennion joined nationally-touring reggae band Two-and-a-half White Guys, touring the United States and Canada. Rob's own trio No Street played his original compositions, and he played in the Peery Blues Project and Salsa band Orquesta Caribe. He played lead tenor and lead alto alternately in local big bands as well as smaller jazz groups. There he met his Costa Rican wife Nicolle.

In 2005 Rob Bennion relocated to the Dallas-Fort Worth metroplex, where he played saxes, flute, clarinet, and effects pedals in various groups, including Brazilian group Bossanossa, progressive rock band Cramer, and party band Plan B.

In 2006 the Bennions moved to Marugame, Japan. Rob Bennion was the artist in residence playing 6 nights a week at Marugame's Saso Luxury Club.

Rob Bennion returned to the United States summer 2007, where he currently composes, performs, and collaborates with musicians ranging in styles from Salsa to Hip-Hop. As a husband and father, a fluent speaker of Spanish and Portuguese; Rob's life experience comes through in his compositions and performances.

In October 2008 Rob was the headlining performer at the Okayama Jazz Festival and other jazz clubs. He was also featured as the musical guest on KJZZ TV Channel 14's "Cooking Delight" with Jennifer Burns. He has composed theme music for the Mayan Restaurant, various video games and TV pilots, and short films. Please visit www.RobBennion.com for more information.

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Your Host & MC for this fabulous evening is Comedian "Shorty" noted for his appearances in a television pilot for BET called "Busted" (aired April 12, 2008-check BET.com for more details), the 2008 Los Angeles Comedy Festival, VH1's 100 Greatest Hip Hop Videos (aired in early 2009) and comedian Talent's (weekly comedy show) and Hot 97's DJ Enough's comedy spot in Manhattan, NY.

**********
Michi Designer Knitwear by Michele Walden



Michi Designer Knitwear by Michele Walden designs are easily recognized by the designer, Michele M Walden's signature lace effect , created on her one of a kind garments. Michele's unique eye for detail, style and fit is phenomenal. Michi Designer Knitwear has been featured at the Essence Music Festival and is now being featured in upcoming Fashion Showcase & Art Gallery this Saturday November 21, 2009 "Principals of Love" Fashion Show, Art Gallery, Jazz & Comedy.
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Art by Ron Brown (Pottery by Ron Brown)


A teacher of African American History, African History 1 and 2.
States."

Ron's mask's can be seen this Saturday at the Exclusive "Principles of Love"

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Wednesday, October 21, 2009

Musicians and Event planners coordinating to make the event a success

Over the years my bands have performed at many many events of all shapes and sizes. I've played acoustic background music with a small instrumental jazz quartet for backyard wedding receptions with an intimate gathering of close friends and relatives. I've had my bigger band play for large corporate events at the Salt Palace, providing the main entertainment for a seated convention crowd of 8,000; with rehearsed timing and entrances, boosted with huge speakers and complicated audio-visuals to accompany the music.

No matter the size or complexity of the event, it is essential to communicate well with the event planner, whether it's the bride herself or an events expert from a large company. This communication may be as simple as emails back and forth, or as complex as multiple meetings or long phone calls going over the needs and plans for the event to go off without a hitch.

A few things which I have learned over the years which are important for the musician to discuss with the event planner:

1. Music Style. Often a client requests a mellow jazz band for their wedding reception but once the reception begins they start to request popular dance music. For this reason I've greatly expanded the repertoire of my band and vocalist, so that we are prepared to do the modern chart-toppers.

2. Special requests. Determine the Daddy-daughter and First Dance numbers long before the night of the reception. A request for an obscure song made the night of an event usually can't be fulfilled . . . plan ahead with the client so that expectations are clear and can be met.

3. What to do in case of a need for en extended performance time. Let's say the company party got to a late start, or the wedding reception is going so well that everyone wants to stay and party longer than the planned time. This is a common eventuality which must be discussed beforehand. If an agreement is reached before the event starts then the event planners and musicians already have a clear plan of action should the client choose to extend their party.

4. Will the band be served dinner? This seems small but can be a big deal if the band is playing starting in the evening going until late. Plan early to stay within expectations.

5. What is the band going to be wearing? Tuxes or concert black are the most common, but sometimes there is a certain look and feel desired . . . such as a mardi gras party, or a new year's marquerade ball, etc.

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Sunday, October 11, 2009

New songs are a hit!

We played a wedding on Thursday performing the new songs in our repertoire. It was a lot of fun to see the look on people's faces when we started our dance set. We'd been playing fun jazz, latin, and bossa-nova songs up to the first dance and daddy0daughter dances. Then when we played "Hey Ya" by Outkast, people started dancing and coming over to check out what was going on. We had a bunch of people rush up and start requesting songs, when we played "American Boy" by Estelle I heard a girl say, "I Love this song!" to her friends.

I look forward to playing many more events which ask us to play current and modern songs.

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Monday, September 28, 2009

2uce Betta joins the Rob Bennion Band

It's been great working with 2uce on our collaboration "Robot Dream" (http://www.myspace.com/therobotdream) He is a very talented rapper and singer as well.

My band is going to showcase him so that we can largely expand our repertoire for events that call for dance music, playing current pop, hip-hop and R&B music (and the classics too).

Listen to a sample, our version of Estell and Kanye's :American Boy" notice how smooth 2uce sounds, and Hayley's great R&B stylings: http://www.robbennion.com/mp3s/americanboy.mp3

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Thursday, September 17, 2009

Robot Dream


After meeting and rehearsals and various brainstorming sessions, I'm happy to announce my new band "Robot Dream" featuring Indianapolis rapper 2uce Betta. Bart Olson, drummer extraordinaire, will be filling out the trio as I play electronic and acoustic wind instruments. Bart and I go back to my junior year in high school when we played in a band called "The Shriners." Since then he's performed all over geographically and musically, performing in a variety of bands, most recently drumming for Ryan Shupe. Here's a link to 2uce Betta's website: http://www.2ucebetta.com

The concept of the group is life through the eyes of a Robot (or "Flo-bot" in this case). Universal themes of unrequited love, anxiety, fitting in, paranoia, and having a great time will be illustrated by 2uce's unique rapping style over Portishead/Massive-Attack style electronica created by acoustic and synth instruments played by Bart and myself. Listen/download a demos of the band here: http://robbennion.com/mp3s/originals/robotdemo.mp3

2uce will also be performing with my regular event band. Over the past year I have performed and DJ'd many events and wedding receptions, and have had many clients request current hip-hop and R&B songs during the dance portion of the event. There is a real demand for a band that can play the current chart-toppers, a band that could do hip-hop and R&B songs which MTV is currently playing.

Together with LA native Hayley Singley and rapper 2uce, my band does what no other Salt Lake city band can do: we play popular R&B and hip-hop music, from classics like Michael Jackson's "Billy Jean", "Rapper's Delight" and the Beastie Boys to current chart-toppers like Beyonce and Jay-Z, Estelle and Kanye West, and the Black Eyed Peas.

Generation Xers are now CEOs, CFOs, and getting married by the droves. This party band, the only one of its kind, can really push the boundaries of live music. Keeping in mind that we are still well-versed in the classics from the Jazz/Blues/Pop American songbook such as the Beatles, Sinatra, Aretha Franklin, and many others. The object is to the dance floor packed.

The Salt Lake Tribune's pop music/pop culture writer recently wrote about the new band: http://blogs.sltrib.com/burger/index.php?p=3208&more=1&c=1&tb=1&pb=1

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Thursday, December 11, 2008

Jazz music workshop in local elementary school





Today I visited ms Edwards and Zaugg's classes to give a short presentation about jazz music. I played a little bit and each class recorded a song. The kids came up with the words and I was amazed at how talented they were.

I promised the kids I'd put mp3s of their songs here so they can play them for their folks at home later, so here they are:

Ms Edward's class:

http://www.robbennion.com/mp3s/msedwards.mp3



Ms Zaugg's class:

http://www.robbennion.com/mp3s/mszaugg.mp3

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Sunday, October 19, 2008

Performances in Japan




Larry Marshal, pictured above playing drums, is an incredible player. Listen to some of his past recordings (along with Phillip Strange on Piano) here.
Kazuki Iida was incredible on the keyboard. Hi intuition as a musician anticipated anything I wanted to do, and he created beautiful canvasses of chords over which the solos and melodies came very naturally. Check out his myspace page here, and his website here.
Toshiya Kasamatsu performed exceptionally on bass, laying down the groove with Larry.

It was great to perform with Alicia Saldenha. She's an up-and coming vocalist from Trinidad who's lived in Japan long enough to learn the language, and we talked a lot about her first album which is in the works. She has great talent and I wouldn't be surprised to see her name in big places somewhere down the road. Check out some of her youtube performances here.




This past week I headlined the Okayama Jazz festival in Japan, it was great. I love how appreciative Japanese audiences are of Jazz music . . . they listen intently to every song, and applaud after solos . . .

Here's an article with more pictures from the performance (Be forewarned it's in Japanese).

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